24.01.2017 - 29.07.2017
Fait Gallery PREVIEW
Dominican Square 10, Brno
11/3 – 2/5/2014
Opening: 10/3/2014 at 6pm
Curator: Martin Nytra
The exhibition title "It wouldn't be pointless to" is a kind of play on words (in Czech) and a variation on the theme of continuity of work in progress with the object and language and is a direct reference to the recently finished exhibition "Away from the thing" in GAVU in Cheb, which Alice prepared together with Jiří Ptáček.
To interpret more specifically Alice Nikitinová‘s work, which oscillates between the format of a picture and complex grasping of the area of the installation, is not easy. The audience is rather kept in a wide sphere of associations and references and at the same time they are confronted with a clear idea of the art work. Mainly thanks to the skilful play with language, elliptic way of using the means of painting and simplification, new possibilities of attraction and working with the subject taken out of it‘s causal coherence and the effectiveness of daily practise open up. Despite, or perhaps because of this, her work is open to free interpretations and ways of reading. The author does not work with a clear vision of direction. Her work is not defined by clearly formulated meanings and explicit literary contents. It is described by its autonomous language which often, in a humorous way, critically points to it’s own defects or to the limits of our understanding of the world around us. The sarcasm of these comments often comes from almost grotesque comparisons and factual statements, which are based on a careful and analytic investigation of a narrowly defined problem. It‘s definition, on the other hand, opens up a wide area of topics and interesting issues that are closely linked with the relationship of the painting, it’s format and the subject representation within the topic . The author does not make any specific conclusions in advance from this approach, she rather follows the process of mutual discovery , in which the next step is based on the previous step.
The character of Alice's painting work is based on experimentation with the form and a repertoire of the basic elements of paintings, which is clearly influenced by the interwar avant-garde movements and their concept of art and design as one holistic environment of social practise. That is probably what her subconscious selection of models and painting inspiration is based on, most often we can identify them as products which lack specific features, but do not lose the symbolism that defines wider group of items of daily use. In our cultural environment and with the aesthetic experience of socialist realism, the utilitarian visuality of these objects feels extremely familiar. But Nikitinová does not work with cultural identity intentionally, she rather tries to uncover the universal essential nature of the objects reality and language, unladen by the era and local context . That is why her abstracted forms are defined within the terms of basic and understandable codes.
Nikitinová‘s art work is also full of paradoxes, sometimes almost shifty in Magritte’s way, suggestive and unobtrusively subversive to the excessive seriousness of the art. This lightweight game with concepts and their understanding is possible thanks to the wide spread Dadaist methods and the Duchamp lesson that can be explored by the current author and the audience with a critical distance, but still with awarness of the protected background.